游动在虚拟与现实之间：数字动画艺术的真实性研究

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科学的发明与发现被大量地运用在改善人类生活上不过是近几百年的事，但却带给人类前所未有的影响。这种改变不仅是在物质上的层面，在精神上的层面也相当深远。在今天这个信息化和“知识爆炸”的时代，一个不容否认的事实是：我们今天社会的信息化程度正在以指数的形式不断加快和加深。数字动画艺术已经开始全面渗入到各种媒体和各种信息服务行业中，这些媒体包括数字化的摄影、摄像、动画、电影、电视、书籍、报刊和因特网等内容。而数字动画艺术涉及的信息服务行业及娱乐业则包括绘画、广告、展览展示、平面设计、咨询业、旅游业、电子游戏、远程教育甚至整个社会的公共媒介系统。数字技术和文化内容相结合正在形成一个更为庞大的数字内容产业。时至今日，一种跨媒体的、具有独特的艺术形式和语言的新艺术—数字动画艺术的真实性正在为越来越多的人们所认识。本研究试图对虚拟与现实—数字动画艺术的真实性研究问题的历史科技、现状与未来进行一次描述和阐释，以进一步厘清数字动画艺术真实性研究的内涵与实质所在。文章试图从数字动画艺术的理论和实践中，来把握数字动画艺术真实性研究的总结。从科学和艺术发展的角度，对数字动画艺术的发展历史和现状，数字动画艺术的产业、知识体系、范畴、方法论、核心 、特征、表现体系等进行了深入和系统化的阐述，并且通过诸多实例，深入浅出地阐明了数字动画艺术真实研究的来龙去脉和发展状态，揭示了数字动画艺术的真实性与其他相关领域的联系和区别，有助于人们加深对数字动画艺术真实性研究和信息本质的了解。这在本领域研究中具有某种别开生面的意义。另外从理论—实际—理论设置的角度来审视数字动画艺术的真实性，拓展了本研究的视野，深化了对数字动画艺术的认识。

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