新概念歌曲分析与写作教程

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本书立命鲜明，体例清晰，行文流畅，逻辑性强，整体内容与形式质量均为优秀。书中内容均建立在实例分析的基础之上，意在为音乐创作的学习者系统总结歌曲写作的方法，对于表演者理解歌曲主旨和研究者了解作曲家构思也有一定的帮助。主要贯通的理念包括以下几个方面：歌曲写作的根本依据是“歌词”；教学内容聚焦于“方法”；谱例选用主要强调“有效”。本书的谱例集中于调性音乐时期的作品，分析重在汲取其中的写作思路和表现途径，这些传统技术不仅是通往自由创作的基石，这些技术原则也符合普遍的美学规律。 刘涓涓，武汉音乐学院作曲系教授，硕士研究生导师。主要从事作曲技术理论的教学与研究工作：为作曲系本科学生开设《歌曲分析与写作》《新音乐导读》和《音级集合》等课程，在《音乐研究》《人民音乐》《中央音乐学院学报》《中国音乐》《黄钟》（武汉音乐学院学报）和《音乐创作》等中文核心期刊发表学术论文与音乐评论二十余篇。论文《罗忠镕艺术歌曲中人声旋律的处理方法》曾入选“2003年华人作曲家音乐节研讨会（香港）”，并成为德国《古今音乐百科全书》（MGG）第26卷“罗忠镕”条目（Barbara Mittler撰写）的参考文献。

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