Orissa, one of the ancient most seats of Indian civilization, abounds in temples and sculptures of very high artistic value. A careful examination of the monuments found in that region will convince anybody that the Aryan style in its purest form was prevalent there only in the whole of India. No apology is therefore needed to study the architectural remains of Orissa, which the learned author has done in the present volume. The author has, besides describing quite a few architectural remains in the Puri District in Orissa, tried to give a scientific exposition of the principles of architecture and sculpture obtaining there. Though he has raised many points of controversial nature, he spared no pains to illustrate his opinions by concrete examples. In the second chapter of the book, a brief outline of the political history of the political history of the province has been furnished, with which its architectural history is intimately connected. The principles of Aryan architecture and sculpture have been illustrated in the fifth and the sixth chapters while they have been illustrated in the last three chapters. Chapter V deals with the main features and the subsidiary parts of Orissan temples and the relative potions of different sections in the general ground plan. In subsequent chapters, the author has put forward formulas for the ratio of the height of the Vimana to the length of the base and of the thickness of the walls relative to the height and proportion of the edifice to be raised, the plinth pedestal, wall construction and bonds; the author has also made useful observations on the deities represented in the temples of the Saivas, Vaisnavas and Souras. Briefly, the work is a valuable contribution to the subject.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...