Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations. 720 illustrations
Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.
Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...
Walter L. Strauss , general ed . New York , 1978- . Baudiment 1934 F. Baudiment . F. Pallu , principal fondateur de la Société des Missions Etrangères ( 1626-1684 ) . Paris , 1934 . Baudouin 1969 Frans Baudouin .
Published in conjunction with The Philbrook Museum of Art 1998 exhibition of 42 examples of Turner's work collected from the major London galleries.
( 11.7 X 15.7 cm ) Atelier stamp in red on verso , upper right : “ Atelier Ed . Degas " Inscribed lower right : “ Schneider , Berlin " Gerstenberg collector's stamp on verso , lower center M.1979.1 PROVENANCE : Edgar Degas ( sale ...
Thomas Eakins
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
... Eliza Draper Gardiner of Providence ; Rudolph Ruzicka and Florence Wyman Ivins of New York City ; and an enlarged contingent from Provincetown : Ethel Mars , Mary Bacon Jones , Tod Lindenmuth , and Juliette S. Nichols .
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Photographs from the William Merritt Chase Archives at the Parrish Art Museum