Clarke, John H. (1983) A Map of Mental States, London: Routledge and Kegan Paul. Critchley, M. (1977) 'Ecstatic and Synaesthetic Experiences during Musical Perception', in M. Critchley and R.A. Henson, Music and the Brain, ...
Listening and Altered States Kenneth S. Avery. 32 See Rowan and Gates , op.cit . , Chapters 1 and 2 ; Goodman , op.cit . , Chapter 5 . 33 See H. Newton Malony and A. Adams Lovekin , Glossolalia : Behavioral Science Perspectives on ...
This question inspires Simon Critchley's understanding of the contemporary readings of Paul when he argues that, referring to the importance of 1 Corinthians 7:29–31 in these readings, they are marked by a certain “meontology” (2012, ...
ing of πίστις language in Paul's letters and in the context of the Greco-Roman world? ... found in Simon Critchley's reflections on the interpretations of Heidegger, Badiou, and Agamben. His reflections allow us to connect a number of ...
Quarterly Journal of Experimental Psychology35A, 469–496. Coltheart, M., Patterson, K., & Marshall, J. (Eds.). (1980). Deep dyslexia. London: Routledge & Kegan Paul. Critchley, M. (1970). Aphasiology and other aspects of language.
... http://www.livescience.com/53599-augmented-reality-here-earb uds.html, accessed 17 February 2016. Coleridge, Samuel Taylor (1983): Biographia Literaria, vol 1, London: Routledge & Kegan Paul. Critchley, Simon (2005): Things Merely ...
Textbook
Ammar, N (2002) 'Islam' in Levinson, D (ed), The Encyclopedia of Crime and Punishment, Volume 2, London: Sage, pp931–38. Beckford, J and Gilliat, S (1998) Religion in Prison: Equal Rites in a Multi-Faith Society, Cambridge: CUP.
D'Abernon, E. (1917) 'Preface'. In Carter, H. op. cit. p. x. Brewers Journal (1921) Volume 56, p. 106. Gibson Publishing Company. Williams, G. P. & Brake, G. T. (1980) Drink in Great Britain 1900 to 1979. London: Edsall.
... Boston: Routledge and Kegan Paul. Critchley, S. (1992) The Ethics of Deconstruction: Derrida and Levinas, Oxford and Cambridge, MA: Blackwell. Culler, J. (1979) 'Semiotics and Deconstruction,' Poetics Today, 1, 1/2: