In 1996 more than two hundred mummies and skeletal remains accompanied by a rich array of burial offerings were discovered at a cliff side burial site overlooking Laguna de los Cóndores in the cloud forest of Chachapoyas. In spite of the humid climate in this remote corner of Peru's northeastern Andes, many of the organic remains, including textiles, were extraordinarily well preserved. The textiles are today stored or exhibited at the Museo Leymebamba. The find includes the best preserved and largest cache of Chachapoya textiles known to date, providing researchers with a unique opportunity to learn about little-known Chachapoya weaving techniques, iconography, style, politics, and trade connections, mostly from the Chachapoya-Inca period, ca. 1470-1532. This richly illustrated volume studies forty-five selected textiles, both burial offerings and mummy bundle wrappings, with chapters on Chachapoya iconography, culture, and quipus (talking knots), as well as a description of the project launched to rescue the finds and the construction of the Museo Leymebamba.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
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