The second publication in the Louisiana Library series, from Denmark's Louisiana Museum of Modern Art, is an in-depth look at that institution's impressive Asger Jorn collection. Jorn, a founding member of COBRA (an acronym for Copenhagen, Brussels and Amsterdam), remains one of Denmark's most influential painters. He was also a founding member, with Guy Debord, of the Situationist International (SI). There has been a tendency to view Debord as the sole motivating figure behind the SI, but while Debord's role was indisputably central, Jorn's influence should not be underestimated. In his four years of activity with the group (1957-1961), Jorn not only continued to make some of his best paintings, he also assisted in the editing of the movement's journal, Internationale Situationniste. This volume provides an introduction to the life and work of this key figure of the European postwar art scene and is illustrated with color reproductions of the museum's entire Jorn collection.
皮埃尔-奥古斯特·雷诺阿生活和呼吸着的是一种新的艺术风格,对他来说,第一次印象派画展意义重大,他的画作得到艺术家们的肯定。1873年他搬到了蒙马特并在那里度过了一生 ...
周... III.1雷诺阿,H.(1841-1919)—生平事迹 2 油画—作品集—法国—近代 IV.1K835.655.722J233 中国版本图书馆CIP数据核字(2004)第051724号© Confidential Concepts, Worldwide, USA © Parkstone PressInternational, New York, USA 书名:莫奈译者:蔡德崑 ...
Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...
Introduction by Nancy M. Doll. Text by Xandra Eden, Gary Indiana.
Thomas Eakins
Robert Whitman: Playback
A study of the art form developed by Matisse after an operation drained him of the strength to continue his oil painting, focusing on the elements of color and design that characterize his prints, paper cut-outs, and paper cut-out maquettes ...
1872年,毕沙罗来到蓬图瓦兹定居,两人亲密无间,开始共同创作。他俩一直合作到1877年,期间只出现过短暂的中断。合作中,毕沙罗常对塞尚的画提一些自己的建议,这段时期是塞尚一生中惟一接受指导、惟一受到外界影响的时期。在众多画家中,也只有毕沙罗能对他 ...
在哥尔哥塔的自画像, 1886年布面油画,74×64厘米,圣保罗美术馆关于人们是接受还是排斥他的艺术信条,以及他在艺术上的地位问题,不同时代具有不同艺术品位的研究者的观点大相径庭,但各有 其合理的根据。有人视他为现实主义的破坏者,认为他反叛了传统, ...
This edition is not only an immense treasure trove of biographical and art-historical information, it provides a lasting pleasure as a personal written testimony to a life consecrated to art.