Beginning with the institution of the first ghetto in Venice in 1516, and soon followed by those in Rome and other cities, Jews had to contend with this circumscribed and ambivalent place, which made them a part of the city and also isolated them.0For nearly three centuries, this was the space within which Jews cultivated their identity, on the one hand preserving the features of their ancient culture, but on the other hand drawing from the world that opened up beyond that confine. The continuous relation between ?inside? and ?outside? the ghetto walls marked Jewish life throughout the long journey towards emancipation.0This deeply complex circumstance is the subject of this volume, including a series of critical texts that take on the profoundly current issues inherent to the topic from every angle, from the historical and artistic to the sociological. The concepts of resilience, integration, cross-cultural encounters and aspiration to be equal while remaining different, are themes continually being raised by today?s society, reigniting the dilemma of the ghettos.0Understanding their role in terms of identity formation is the aim of this volume, which traces the unique situation of European Jews, especially those in Italy, between the sixteenth and nineteenth centuries, in the firm belief that Jewish history can transmit universal values and offer useful tools for the present. 00Exhibition: MEIS, Ferrara, Italy (March - September 2021).
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...