The first large-scale survey of the important self-taught artist_s work in 20 years, presenting approximately sixty of Hawkins_s lively paintings, drawings, and sculpture. Although he has long held a place in the forefront of twentieth-century self-taught artists, the Ohio painter William Lawrence Hawkins has recently received less than his fair share of attention. This monograph will introduce Hawkins_s exuberant paintings to a wider audience at a time when more and more general museums are recognizing the powerful appeal of America_s self-taught artists. While focusing on the artist_s most aesthetically successful, confident, and characteristic works, the book will bring special attention to his use of space, his collage practice, and his work in series, of which his nine Last Suppers is perhaps the most extensive example. Drawn from important public and private collections across the United States, the monograph will include approximately fifty of Hawkins_s most important paintings, both well-known pieces and others rarely seen and it will cover all of Hawkins_s favorite subject matter, including cityscapes, landscapes, exotic places, animals, current events, historic scenes, and religious scenes. It will also include a very rare assembled sculpture and a selection of his large body of drawings.
Looks at the many artists, photographers, choreographers, musicians, composers, poets, writers, and other creative people who made Harlem such an amazing place in the 1920s and 1930s.
Newspapers described the Edgefield mark as being near Horn's Creek . Because the early home of the Miles family was on Horn's Creek , and Rev. John Landrum had preached for years at Horn's Creek Baptist Church , the two families must ...
Shawn Dunwoody
Enhanced by nearly 150 images of painting, sculptures, photographs, quilts, and other work by black artists, offers a survey of African American history which covers the predominant political, economic, and demographic conditions of black ...
Generosity: A Conversation with Byron Kim, Janine Antoni, and Glenn Ligon
Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Los Angeles, Calif.
New Perspectives: Colin Chase and Whitfield Lovell : February 15 Through March 16, 1990, Frances Wolfson Art Gallery, Mitchell Wolfson...
Betye Saar: Migrations
Un poema para Willie Best
Norma Lewis: Black Paintings, 1946-1977