Hailed as one of the greatest minds of our times, Richard Buckminster Fuller (1895-1983) is known as an American visionary. Designer, architect, engineer, inventor, and philosopher, he was undeniably one of the key innovators of the 20th century.This volume provides a visually rich and complete overview of Fuller's design and architectural production, situating Fuller's projects in their historical context. The book features never-before-published material from the Fuller archives that were recently donated to Stanford University.Michael John Gorman's essay offers an in-depth analysis of Fuller's work-focusing more attention on his innovative architectural projects than to other aspects of Fuller's "design science"-as well as an interesting perspective on post-war American society and architectural culture. Chapters include concepts of Fuller's philosophy, his manifesto for mass-produced housing, the role of mobile shelter in transforming behavior, geodesic domes, and Fuller's early experiments. Fuller's achievements, astonishing design, and production are fully documented using original and often unknown archival materials.
The Buckminster Fuller Reader
R. Buckminster Fuller on Education
In this book, leading scholars in architecture, design, history, and communications discuss the work of R. Buckminster Fuller in the context of the larger social and cultural patterns of the twentieth century.
Includes chronologies of scientific discoveries and world events.
Featuring over 200 photographs and drawings, plus dozens of fascinating excerpts from Fuller's lectures and conversations with the author, this book offers a breathtaking inside look at one of the truly great minds of our time.
This book is a modern allegory - his long-gestated myth-of the villainy of capitalism and the fecklessness of classic economics.
The Artifacts of R. Buckminster Fuller: A Comprehensive Collection of His Designs and Drawings in Four Volumes
Buckminster Fuller to Children of Earth
I replied, “How can you see me over here, defiantly glaring through what are obviously solid spectacles?” To which the professor opened his lips to reply—his mouth fell open—but no words came. I proceeded to explain that glass is an ...
Concerned with the origins and development of the Dymaxion House project as well as Fuller's public persona, the author uses Buckminster Fuller's archives, particularly the multivolume "Chronofile" to construct a history parallel to the ...