Art critic, historian, writer, TV presenter, politician and professional provocateur, Vittorio Sgarbi is a prominent figure in Italy's cultural landscape. Controversial, often caustic, and always charismatic, his thought-provoking opinions and writings leave no room for indifference. In this highly readable and well-informed book, Sgarbi covers the life and works of Caravaggio, analyzing the genius's disordered and adventurous existence and the revolutionary greatness of his masterpieces. As Vittorio Sgarbi writes in the book: "The life and work of an artist always end up looking alike; but in Caravaggio's life there was a sense of fun, an enjoyment of burlesque and a lack of propriety that is not reflected even in his in most daring works. In Caravaggio, we had the cohabitation of a sophisticated, intellectual capable of imprinting an ideal turning point in the course of history and the principal character of an adventure story-quarrelsome, overbearing, cursed-as he was portrayed in romantic interpretations. On the other hand, his intemperance cannot be ascribed to the spirit of the times; behavior that we would call extravagant today was instead common in such violent and difficult times. The true greatness of Caravaggio lay in his having shown the other, and indeed authentic side of reality. But these are external elements, psychological reflections that pass from life into art."
Technology and the Visual Arts in the Nineteenth Century
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Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
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