This volume is a collection of articles which explore the relations between modern and classical visual art on the one hand and what is currently known or believed about visual perception, visual exploration, the eye, and the visual brain. The book includes speculative as well as firmly-grounded theories and approaches.
Articles have been chosen for their scholarly value, their scientific approach as far as possible, and their intrinsic interest.
Explores questions relating to the nature of representation in art.
Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements
Written by the prominent art historian and philosopher Cycleback, this book is a concise introduction to understanding art perception, covering key psychological, cognitive science, physiological and philosophical concepts.
This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty.
Whether you want to be more effective on the job, more empathetic toward your loved ones, or more alert to the trove of possibilities and threats all around us, this book will show you how to see what matters most to you more clearly than ...
This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty.
This book examines the interconnections between art, phenomenology, and cognitive studies.
Southampton: John Hansard Gallery, The University, Southampton. Chatterjee, A. (2006) The Neuropsychology of Visual Art: Conferring Capacity. In, The Neurobiology of Painting. (International Review of Neurobiology, 74). Rose, F.C. (ed.) ...
This book will appeal to those interested in art as well as those teaching art history, psychology, and neuroscience.
Art: Perception & Appreciation