This volume is a sourcebook for those interested in how the experimentalists of the seventeenth century profoundly shaped modern scholarly communication.
These essays throw new light on the complex relations between science, literature and rhetoric as avenues to discovery in the seventeenth and eighteenth centuries.
Most significantly, this volume demonstrates how these historical activities need to inform current teaching of and thinking about language.
Ryan J. Stark presents a spiritually sensitive, interdisciplinary, and original discussion of early modern English rhetoric. He shows specifically how experimental philosophers attempted to disenchant language
Don M. Wolfe, vol. 2, ed. Ernest Sirluck (New Haven, 1959), 492. Harris, Untimely Matter in the Time of Shakespeare (Philadelphia, 2009), 2–3, 13. Quoted from ibid., 13. Ibid., 4. Ibid., 3, discussing the example of a toolbox containing ...
The book's aim, however, is not to dispel roguishness but rather to discern the theological motives behind Sterne's comic rhetoric, from Tristram Shandy and the sermons to A Sentimental Journey.
In Scientists as Prophets, Lynda Walsh argues that our science advisors manufacture certainty for us in the face of the unknown.
In The Rise of Public Science, Larry Stewart explores social attitudes towards the claims and the activities of the natural philosophers in Britain from the Restoration to the first stage of industrialisation.
Alexander expands on these ideas , particularly exploring Locke's attitudes to substance in light of Boyle's corpuscularianism , in Ideas , Qualities and Corpuscles : Locke and Boyle on the External World ( Cambridge : Cambridge Univ .
... Netz , ist nicht gerade stabil . Qualitätskontrolle ist im Netz nicht mehr vorgeschrieben . Allenfalls gibt es noch eine ... der Selbst - und Fremdkritik ein Schnitzelkräusler sein , einer , der viel Kunst einsetzen muß , um seinen ...
In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project.