In this monograph, various aspects of the morphosyntactic evolution of the Romance languages are shown to interact in a theory of grammaticalization. The study argues for the incorporation and subordination of inflectional morphology within a grammaticalization continuum, constituting but a portion of the latter. Parameters of natural morphology are seen as principles of grammaticalization, but the reverse is also true, rendering grammaticalization and natural morphology indistinguishable. In the context of this theoretical framework, Chapter 2 deals with Latin, French, and Italian verbal inflection, focusing on universal and system-dependent parameters of natural morphology. In Chapter 3, a theory of grammaticalization is built on divergent elements, including not only grammaticalization studies proper, but also the perception/production line of inquiry, and typology and branching issues, permitting the phasing out of the traditional synthesis/analyis cycle. Chapter 4 touches on nominal inflection, in particular that of Old French and Rumanian, the most revealing histories in the Romance domain. Chapter 5, finally, thoroughly discusses extant theoretical questions in grammaticalization, prominently featuring the relevance of 'invisible hand' explanations and the crucial role played by unidirectionality. This study will be of interest to specialists in Romance and historical linguistics, as well as morphological theory.
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).