The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').
James Joyce and Absolute Music
Si ta main ef - > N HI u > que tu as choi - si - VOLL Chlist H0L < m the _ ) with the formula by prolonging the alto's 4-3 descent for. c . Mm . 11 - 14 . 34 - veux , Je n ' ex - is - te plus A > THE d . Mm . 18 - 19 Est - ce moi e .
L'opéra de Thomas a été l'objet d'un pastiche intitulé Le Cauchemar d'une nuit d'hiver, folie-vaudeville en 3 ... L'action, transposée à Wazemmes, est fidèle à celle de l'original, et les noms des personnages ont été modifiés dans un ...
This volume showcases the latest international research into the captivating and vast subject of the many uses of music in relation to Shakespeare's plays and poems, extending from the Bard's own time to the present day.
This book is an interdisciplinary analysis of an art form that is crucial to the understanding of Italian contemporary society: political music from the 1960s to today.
Proceedings of a symposium jointly organised by the Elgar Societu and Vaughan Williams Society and held at the British Library, London in November 2008.
The book brings Valery's and Stevens' poetics and poetry into conversation, and focuses on the resonance of Valery's musical ideas in Stevens' poetic theory and practice.
This work is unique in the field: the reader is introduced to music from several centuries and to five of the most popular plays in great detail (Macbeth, Romeo & Juliet, The Merry Wives of Windsor, Othello, A Midsummer Night's Dream).
Literature and Popular Music in France and Greece Dimitris Papanikolaou, Dēmētrēs Papanikolaou. 2003B . ' In from the Margins ' , in Popular Music in France from Chanson to Techno : Culture , Identity and Society , ed . by Steve Cannon ...
Montre comment les oeuvres de Zola (en particulier "L'assommoir", "Nana" et "La terre") ainsi que certains épisodes de sa vie privée ou publique (élection manquée à l'Académie française, affaire Dreyfus, etc.) ont inspiré bon nombre ...