Is there a 'history' of laughter? Or isn't laughter an anthropological constant rather and thus beyond history, a human feature that has defined humanity ashomo ridens from cave man and cave woman to us? The contributors to this collection of essays believe that laughter does have a history and try to identify continuities and turning points of this history by studying a series of English texts, both canonical and non-canonical, from Anglosaxon to contemporary. As this is not another book on the history of the comic or of comedy it does not restrict itself to comic genres; some of the essays actually go out of their way to discover laughter at the margins of texts where one would not have expected it all – in Beowulf, or Paradise Lost or the Gothic Novel. Laughter at the margins of texts, which often coincides with laughter from the margins of society and its orthodoxies, is one of the special concerns of this book. This goes together with an interest in 'impure' forms of laughter – in laughter that is not the serene and intellectually or emotionally distanced response to a comic stimulus which is at the heart of many philosophical theories of the comic, but emotionally disturbed and troubled, aggressive and transgressive, satanic and sardonic laughter. We do not ask, then, what is comic, but: who laughs at and with whom where, when, why, and how?
The meanings behind the laughter of the romance's individual characters also become entirely altered when the romance is confronted anew by its audience, and the truth behind the challenge of the Green Knight, the hunting and the ...
Laughing Histories breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power.
As modern readers , we easily forget that medieval seriousness as it is articulated by Holy Church achieved its efficacy through the great threat of perdition and pain , of suffering and sorrow . Life threatens the Christian at every ...
Jen-Peng Liu and Ho Li-hsing made it possible for me to teach an undergraduate class on modern Chinese comic literature in ... “Dean” Ji Jin invited me to participate in multiple conferences at Suzhou University—the Deputy Dean salutes!
In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones.
'This book is a novel in the form of variations. The various parts follow each other like the various stages of a voyage leading into the interior of a theme,...
Even the otherwise resourceful Encyclopedia of Opera on Screen attributes the opera's attractiveness (with over 70 screen renditions, it is the most often adapted, as well as one of the most often staged operas in the world) to the ...
... in its strongest form, it is, in Angela Carter's words, “the innocent glee with which women humiliate men. ... the expense of her cuckolded husband in Chaucer's “The Miller's Tale”—“a sound which is heard very often in literature.
Taking Laughter Seriously
A rollicking review of popular culture in 18th century Britain this text turns away from sentimental and polite literature to focus instead on the jestbooks, farces, comic periodicals variety shows and minor comic novels that portray a ...