Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boundaries of political performance. Members of Political Performances are from around the world and so approach the intersection of politics and performance from very different perspectives. Some focus on socio-political context, others on dramatic content, others on political issues and activism, and still others examine the ways in which communities perform their collective identity and political agency. The organizational structure of Political Performances highlights the variety of ways in which politics and performance converge. Each section - “Queries”, “Texts”, “Contexts” and “Practice” - frames this confluence according to certain common threads that emerge from essays that deal with topics from the ethics of autobiographical performance, the political efficacy of verbatim theatre, the challenges of community-based performance, political and self-censorship, and the impossibility of representing atrocity. The essays challenge existing ideas of political performance and point the way to new approaches.
A pioneering study by Philip Timberlake, long ignored by mainstream scholarship, revealed the huge difference in the number of lines with feminine endings ...
Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker's Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
The Love of the Nightingale
Based on a historical incident.
Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with ...
This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.
When Lucy, an ordinary teenager, feels ignored by her family, she brings her childhood fantasy friend Zara back to life, only to have her materialize and bring with her a dream family for Lucy
Its greatest pleasure comes from Mr Plummer's taking you step by step through Lear's enormous changes in temperament and insight, and justifying every turn on both an intellectual and gut level. I have never seen an audience so ...
Cast: Matte Osian (Richard), Barry Smith (Bolingbroke), Frank O'Donnell (Gaunt), Kadina de Elejalde (Queen), Robert F. McCafferty (Northumberland), David W. Frank (York). Running time 93 minutes. An independent film shot on a disused ...
This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.