Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place.
Hitchcock's Motifs (Film Culture in Transition).
This book offers a new way of thinking about film endings.
While many works on Hitchcock either openly reject psychoanalysis or utilize it only casually or peripherally, this book-length study consistently and systematically applies a Freudian psychoanalytic approach to a number of Hitchcock's ...
Bachelor Thesis from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Hildesheim (Institut für Anglistik), language: English, abstract: In my bachelor thesis I want to focus on ...
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also ...
... patterns of style (what are the cinematic ways in which Hitchcock's story is conveyed?); content and theme (what kinds of stories does Hitchcock tell and what are his recurring motifs?); and form (how does Hitchcock structure the ...
Alfred Hitchcock's Monster Museum
But Hitchcock cuts to another sequence in Parra's room that restores the suspense. Parra sits at his desk and works. While doing so, he reaches down and places a paper in a case that was next to the briefcase that Uribe took.
Alfred Hitchcock's Rear Window (Cambridge: Cambridge University Press, 2000), p. 10. John Belton notes ('Introduction: spectacle and narrative', p. 13) that this final shot was cut from the film when it was re-released in the 1980s, ...
... Hitchcock's Motifs (Amsterdam: Amsterdam University Press, 2005), 30. Walker also comments that in Psycho, the milk Norman serves Marion is “tainted” after Mrs. Bates is heard castigating Norman for attempting to satisfy Marion's “ugly ...