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A reconsideration of Constant Nieuwenhuys's visionary architectural project, New Babylon, and of the role of drawing in and electronic age.
"New Babylon: a world without borders flowing in all directions, allowing its residents to develop freely and flexibly. This fascinating architectural utopia was the brainchild of Constant Nieuwenhuys (1920-2005).
Constant: Space + Colour gathers rarely seen works alongside a short selection of texts written between 1949 and 1965, which provide a glimpse into the radical transformations of these years.
In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city.
'Work, Body, Leisure' explores the spatial configurations, living conditions, and notions of the human body engendered by disruptive changes in labor, its ethos, and its conditions.
Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles.
In this book the buildings are the quotations, while the texts are the structure.
It is, however, through the publication that a highly disparate group of architectural practices and cultural thinkers emerge - the New Babylonians - all inspired in very different ways by situationism.
In The Early Film Music of Dmitry Shostakovich, author Joan Titus examines the relationship between musical narration, audience, filmmaker, and composer in six of Shostakovich's early film scores, from 1928 through 1936.
In this book, Wigley redefines the question of deconstructive discourse, he opens up more radical possibilities for both architecture and deconstruction, offering a way of rethinking the institution of architecture to rethink deconstructive ...