In the era of rapid and almost complete digitization of the moving image, EYE Filmmuseum draws attention to the special qualities of 16mm and 35mm celluloid film and the unique way in which this material is projected. EYE unites four artists (or artist duos) that incorporate, in multi-layered and complex and extraordinary films and installations, the peculiarities of celluloid and film equipment into their work. The richly illustrated publication Celluloid presents the work of Tacita Dean, João Maria Gusmão & Pedro Paiva, Rosa Barba and Luis Recorder & Sandra Gibson. Internationally renowned authors discuss the meaning of the use of analogue film in the oeuvre of the four artists in the context of the history of experimental film, analogue film in an era of abundant digital imagery, the magic of 16mm and 35mm film, and the film apparatus. Exhibition: EYE Filmmuseum, Amsterdam, The Netherlands (17.09.-08.01.2017).
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...