Arab women filmmakers: Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts - and constraints - of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries - Egypt, Iraq, Lebanon, Syria, Algeria, among others - from which these artists emerged. In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For Hillauer, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women's 'model,' one that is far removed from western clichés. Broad in scope, and rich in insight, Arab Women Filmmakers is a must read for cineastes as well as students of film, feminism, and the Middle East.
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Feature films: The She-Cats of Hamra Street / Les chattes de la rue Hamra / Kotat charé al-Hamra (1972, 35mm), ... 35mm), Women in Danger / Des femmes en danger / Nisaafi khatar (1981, 35mm), The Island Devil / Le diable de l'île ...
... women from a younger generation in pursuit of freedom from taboos and social restrictions. They pursue new ... Encyclopedia of Arab Women Filmmakers, trans. by Allison Brown et al. (Cairo: American University in Cairo Press, 2005, 173 ...
In Taboo Memories, Diasporic Voices, 232–249. Durham: Duke University Press, 2006. Shohat, Ella. 'The “Postcolonial” in Translation: Reading Edward Said between English and Hebrew.' In Taboo Memories, Diasporic Voices, 359–384.
Mandy, Marie. 2014. Interview conducted by Lisa French in Amsterdam. November 24. Moi, Toril. 1999. ... Female Directors Offer a Different Viewpoint on Adolescence, Poverty – And Seduction, Argues Anna Smith, Exploring the Films that ...
the sheik. instabilities of race and gender in transatlantic popular culture in the 1920s, in Noble dreams, wicked pleasures. Orientalism in America, 1870–1930, ed. Holly edwards, Princeton, 2000, 99–117. Çelik, Zeynep.
London: Reaktion Books. Cooke, Miriam (1996) Women and the War Story. Oakland, CA: University of California Press. CSIS (2009) “Post-election violence in Kenya and its aftermath,” Centre for Strategic and International StudiesBlog ...
... Palestinian Society as Reflected in its Cinema', in R. Hillauer (ed.), Encyclopedia of Arab Women Filmmakers (Cairo: American University in Cairo Press), pp. 206–8. Nichols, B. (1991), Representing Reality: Issues and Concepts in ...
... world,” observes Ibn Hazm near the conclusion of his treatise on love.29 Through the final fates of its characters, WWW becomes an unexpected parody of noir, its lovers succumbing to a lovesickness seemingly from a bygone era.
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