Nineteen years after the events of Incarnate: Essence, Eshe finds himself reincarnated again. This time, because of the experimentations on Eshe’s brain, there are two reincarnations: Ivan Volkov and Samira Zahedi. Ivan, embracing the nihilism of his reincarnation and the crumbling of human society, has abandoned any hope of creating a better future. Instead, Ivan settles into a life of hedonism as a member of a brutal eastern Russian gang obsessed with death known as Bessmernyi. An assignment that takes Ivan into war-torn China will drag him back into contact with Imelda, the reincarnation of Jiang Wei. The other incarnation, Samira Zahedi, was reborn in Iran where she has become a leader in a local Forty-Eights group. The group attempts to look into the Sovereign corporation’s strange black sites in the region all the while maintaining a fragile peace amongst violent factions that sprung up after Israel nuked Iran and then began occupying it. During a radiation storm caused by the nuclear fallout, people in Isfahan are mysteriously murdered. While Samira unravels the meaning of these murders, the Immortal Legion, the African liberation group started by Sachi, begins to erupt out of Africa, conquering the Middle East. Once again, savage warfare, uncanny technology, corporate greed, religious extremists, and human augmentation are drastically altering the world that Ivan and Samira must navigate while attempting to ensure a tolerable future. Although unable to truly die, neither Ivan nor Samira will ever be the same.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...