"This book takes Hollywood's disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory toward new understandings of how cinema shapes and informs our conceptions of disaster and catastrophe. This book examines a range of films from distinct regional and industrial contexts: Hollywood, indie movies, different kinds of documentaries, and auteurist-realist cinema. Moving across and beyond critical and industrial categories that inform thinking about cinema, it contends that different approaches to film style can push us to imagine disaster in distinct ways, with distinct ethical connotations"--
Starting with the explosive Kiss Me Deadly, the book examines various apocalyptic scenarios and how each ties together throug issues of displacement and amorality: from teh atomic anziety of The Big Heat and Lady from Shanghai, to the ...
'Visions of the Apocalypse' examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as We Were Soldiers, The Last War and Tidal Wave.