Looks at the many artists, photographers, choreographers, musicians, composers, poets, writers, and other creative people who made Harlem such an amazing place in the 1920s and 1930s.
Newspapers described the Edgefield mark as being near Horn's Creek . Because the early home of the Miles family was on Horn's Creek , and Rev. John Landrum had preached for years at Horn's Creek Baptist Church , the two families must ...
Shawn Dunwoody
Enhanced by nearly 150 images of painting, sculptures, photographs, quilts, and other work by black artists, offers a survey of African American history which covers the predominant political, economic, and demographic conditions of black ...
Drawn from important public and private collections across the United States, William L. Hawkins: An Imaginative Geography includes approximately 50 of Hawkins's most important paintings, both well-known pieces and others rarely seen.
Generosity: A Conversation with Byron Kim, Janine Antoni, and Glenn Ligon
Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Los Angeles, Calif.
New Perspectives: Colin Chase and Whitfield Lovell : February 15 Through March 16, 1990, Frances Wolfson Art Gallery, Mitchell Wolfson...
Betye Saar: Migrations
Un poema para Willie Best
Norma Lewis: Black Paintings, 1946-1977
Foreword by David C. Driskell. Text by Patricia Hills.
This exhibition catalogue shows the artist working in a range of mediaincluding photography, painting, sculpture, and video.
Biography; exhibs.; awards; collections.
In it, the author laments the lost idealism of a generation in the 1960s for a better Africa, post-independence.In, The Beautyful Ones the artist reinstates this optimism in her own and subsequent generations while offering a powerful ...
"Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of performance art by black visual artists.
After his parents send him to a prestigious private school known for its academics, Jordan Banks finds himself torn between two worlds.
Focusing on Grafton Tyler Brown's lithography and his life in nineteenth-century San Francisco, Robert J. Chandler offers a study equally fascinating as a business and cultural history and as an introduction to Brown the artist.
Designed in collaboration with the artist, this volume includes an interview with Susan May and a new essay by Christopher Bedford.
Published to accompany Los Angeles-based artist Mark Bradford's (born 1961) 2014 exhibition at Hauser & Wirth, Zurich, this limited-edition volume is presented in a linen-bound case and takes the form of a Z-fold.