In my case , Chris [ Daniels ] makes the pots for me under my complete supervision . He is able to skillfully throw my forms as I see them . It's not a collaboration . It would be different if Chris insisted on a very personal throwing ...
A documentation of the exhibition of sculptures by Richard Beckman and Charles Parkhill held at Polk Museum of Art. Full color photographs with artist bios and exhibition checklist.
Beverly Pepper: Palingenesis 1962-2012
While at first glance his work appears to be a vigorous example of contemporary ceramic sculpture with a background in 1960s California art and a foreground in New York eclecticism, in fact his figurative forms borrow liberally and wittily ...
With more than 100 illustrations documenting the artist's development over the past two decades, the book follows his experiments with Minimalism - an approach that he revisited with his Window series - his examinations of American society ...
Albert Wein: An American Modernist
Nancy Cohen: By Feel, May 18 - June 23, 2012
For David Smith (19061965), widely considered one of the foremost American abstract expressionist sculptors of the 20th century, there was no conceptual boundary between mediums.
Preface / Manuela & Iwan Wirth -- Foreword / Alexander S.C. Rower -- For the open air / Susan Braeuer Dam -- More than beautiful : politics and ritual in Calder's domestic items / Jessica Holmes
Richard Serra: Sculpture
Louise Bourgeois' tapestry and needlepoint work deals with reparation in both a literal and metaphorical sense. In many of the works, fragmented tapestries are pieced together and repaired to create new sculptural forms.
56 R. Krauss, Terminal Iron Works: The Sculpture of David Smith (Cambridge, Mass.: MIT Press, 1971), p. 62. 57 Ibid., p. 3. 58 A. M. Wagner, Mother Stone: The Vitality of Modern British Sculpture (New Haven: Yale University Press, ...
While Voulkos' work has most often been discussed in relation to the practice of ceramics, the writers in this book explore the artist's work through the scope of art history and in a contemporary light.
This elegant volume is a comprehensive examination of the career of American artist Robert Indiana (b. 1928), most famous for Love, icon of the 1960s.
They inhabit a curious and complex universe and act together to tell a fragmented tale in a unique idiom. The book delves into this visionary world through Frame’s photographs of his sculptural pieces, stage settings, and vignettes.
Amassing a body of work that could not be ignored, Chamberlain has been clumsily shoehorned into a variety of ill-fitting categories. Perhaps the most fertile of these is the retroactive link with Abstract Expressionism.