A potter looks at a field, a clay deposit, a lump of clay, and does not see what is before him, but sees all the possibilities of things he can create. ... Many comparisons can be made between the potter and God, the clay and us.
You can feel her love of pottery and join her as she tells the story of creating something beautiful. Each chapter of 'Clay in the Potter's Hands' offers the reader an opportunity to accompany the potter at work.
You can "feel" her love of pottery and join her as she tells the story of creating something beautiful. Each chapter of Clay in the Potter's Hands offers the reader an opportunity to accompany the potter at work.
Most Christians have heard that God is the potter and we are the clay, but Diana Pavlac Glyer, who has spent countless hours at the potter's wheel, shows in this remarkable book that this saying is far more than a casual metaphor.
The coal mining towns and steel mills of Southwestern Pennsylvania provide the backdrop for this love story that spans almost a century, from the 1920s into 2010.
Living life with four pottery studios over thirty years, liberally spiced with reflections on David Stewart, Marguerite Wildenhain, and practical suggestions for working in clay.