Kirk more exact and, therefore, more effective. the obvious affection for the material that inspired In the Pirkinning ... and the editing, the characters and the narrative constructed are clearly inspired or copied from elsewhere, ...
Studio/Distributor: Studio des Ursulines Directors: Marcel Carné Marcel Sanvoisin Producers: Marcel Carné Marcel Sanvoisin Screenwriter: Marcel Carné Cinematographer: Marcel Carné Art Director: Marcel Carné Composer: Bernard Gerard ...
Betz, M(2009) Beyond the Subtitle: Remapping European Art Cinema, Minneapolis: University of Minnesota Press. ... Dissanayake, W and Gokulsing, KM (2012) From Aan to Lagaan and Beyond: A Guide to the Study of Indian Cinema, ...
This directory explores the main trends, genres and movements of Iranian cinema and the historical turning points and prominent figures that have shaped it.
What is a Hollywood crime film? Like many other Hollywood forms, crime film clearly demonstrates that popular cinema exceeds definition as mere entertainment. The history of crime film makes clear that its varied narrative forms have ...
What is a Hollywood crime film? Like many other Hollywood forms, crime film clearly demonstrates that popular cinema exceeds definition as mere entertainment. The history of crime film makes clear that its varied narrative forms have ...
and Soviet cinema. He is Director of the Institute for European, Russian, and Eurasian Studies. He is the author of the Historical Dictionary of Russian and Soviet Cinema (2009). Rimgaila Salysis Professor of Russian Studies at the ...
Her research interest is in twentieth-century Russian (and Soviet) cultural and gender history. She is the author of Life Has ... He is the author of Historical Dictionary of Russian and Soviet Cinema (2009). Rimgaila Salys is Professor ...
As Ho says earlier in PTU, 'Anyone who wears the uniform is one of our own.' Jeff smith Reference Ingham, Michael (2009) Johnnie To Kei-Fung's PTU, Hong Kong: Hong Kong University Press.
From silent spectacle to the giallo, the spaghetti western to the neorealist masterworks of Rossellini, this book offers a comprehensive historical sweep of Italian cinema that will appeal to film scholars and cinephiles alike.
The Editor Parviz Jahed is a postgraduate film scholar and critic, film-maker and lecturer in film studies, ... A Life in the Movies (1980), Midnight Movies (1983), Film: The Front Line (1983), Greed (1993), Placing Movies: The Practice ...
Studio/Distributor: Artna Rank Organisation/J Arthur Rank Director: Basil Dearden Producer: Michael Relph Screenwriter: Janet Green Cinematographer: Harry Waxman Production Designer: Carmen Dillon Composer: Philip Green Editor: John D ...
Hoffgen, Maggie (2009), Studying German Cinema, Leighton Buzzard, UK: Auteur Publishing. ... (2004), German Essays on Film, New York: Continuum. von Moltke, Johannes (2005), No Place Like Home: Locations of Heimat in German Cinema, ...
These hardships exist in the story, secondary to the positive aspects of Jennifer's trajectory – education, job security, ... Stacilee (2008) Mabel Cheung Yuen-Ting's An Autumn's Tale, Hong Kong: Hong Kong University Press.
... New Zealand actor Bruno Lawrence , he moved to Los Angeles where he was enlisted by Dino DeLaurentiis to remake The Bounty ( 1984 ) , which was partly shot in New Zealand and used Australian actors such as Mel Gibson . During the making of ...
... New Zealand film ever made' (Wong 2006). These films are produced in New Zealand (and officially described as 'US/New Zealand' productions) and draw on local creative talent (directing, editing, SFX, support actors and extras) and New ...
With new essays that discuss the importance of genre, adaptation, locations and technology in the production of film, this collection explores how Hollywood has looked to create, innovate, borrow and adapt new methods of filmmaking to ...
Featuring full-color stills, interviews, references, and trivia, this book is an invaluable resource for readers interested in the fascinating world of Argentine film. "
Part of the "Directory of World Cinema" series, this title includes contributions from some of the leading academics in the field.
This volume will be warmly welcomed by those with an interest in Japanese cinema that extends beyond its established names to equally remarkable filmmakers who have yet to receive such rigorous attention.