Another member of the band , DANNY BARKER , told of the problems Gillespie had : Be - bop " Some of us began to jam at Minton's in Harlem in the early ' forties . But there were always some cats showing up there who couldn't blow at all ...
The #1 text in the market—now in an Essentials Edition.
Jazz: The First Century is edited by John Edward Hasse, Curator of American Music at the Smithsonian Institution, leading a writing team of today's finest and most widely respected jazz authorities.
A good update to Frederick Starr's Red and Hot: The Face of Jazz in the Soviet Union and Leo Feigin's Russian Jazz: New Identity. Starr, Frederick. Red and Hot: The Fate of Jazz in the Soviet Union. New York: Oxford University Press; ...
“Lullaby of Birdland” (Shearing-Foster), from Sarah Vaughan with Clifford Brown. EmArcy EP1-6099. December 16, 1954 (master take). Vaughan, vocal; Brown, trumpet; Herbie Mann, flute; Paul Quinichette, tenor saxophone; Jimmy Jones, ...
A fantastic, innovative and unique blend of art and text that depicts the rhythm of the times! "Jazz: Midnight is a beautiful marriage between 50’s stylized art and captivate writing that only Beatty can provide.
Do you dig? A murder mystery set in a 1957 jazz club, with illustrations inspired by '50s album cover designs that give this comic book story a unique style all its own.
"Gary Scott Beatty’s jazz piano man Dean Fontessa returns in five stand alone stories on a central theme that come together with a twist — like a masterful, cool jazz solo!
Jazz: Cool Birth : a Late Night Murder Mystery in C♯ Minor
Jazz
Christopher Meeder provides an introduction to jazz, explaining it as a musical form and showing readers how to listen to it. He includes a chronological history of jazz and biographies of leading musicians.
They brought the piece to a conclusion after about seven and a half minutes, whereupon Manfred Eicher vehemently signalled from the control room to keep it going, and they repeated the form, achieving even greater heights.
HERBIE HANCOCK Herbie Hancock already had a strong name in jazz before he joined Miles Davis in 1963 , having composed " Watermelon Man " and recorded his own albums for Blue Note . While with Davis , he continued to grow , finding a ...
There¿s some supremely nonchalant playing, but you will also hear jazz that¿s intense and smooth, hot and cool, fast and slow; there¿s great singing, and there¿s also passion and soul. In fact all kinds of jazz are here.
And while McCoy Tyner spent the 1960s redefining accompaniment with his power and speed, pianists like Bill Evans and Paul Bley were developing the piano as a trio instrument with a lighter touch and a new balance and interaction with ...
Kelly's improvisations displayed a sparkling sense of swing, heard especially on 12-bar blues compositions such as “No Blues,” from Miles Davis at Carnegie Hall (1961). Although his harmonies were typically less lush and dense than ...
Explores the roots and history of jazz, discussing how it first appeared and developed, its musical elements, and significant performers.
Alphabetically arranged entries provide information on key personalities, landmark performances and recordings, styles of music, and record companies associated with jazz.
Quoted in Willie Lee Nichols Rose, A Documentary History of Slavery in North America. Athens: University of Georgia, 1999, p. 515. 6. Ted Gioia. The History of Jazz. New York: Oxford University, 1997, p. 34. 7.
This fascinating volume provides a concise, literate, accurate, and up-to-date look at the history of jazz and its major figures.