Martinez Nadal , R. , ' El público ” : amor , teatro y caballos en la obra de Federico García Lorca . Oxford , The Dolphin Bookshop , 1970 . Martínez Nadal , R. , Cuatro lecciones sobre Federico García Lorca .
L. Martínez Cuitiño, Letras Hispánicas (Madrid: Cátedra, 1991). Obras completas, ed. M. García-Posada, 4 vols (Barcelona, Galaxia Gutenberg / Círculo de Lectores, 1996–1997) [1, 'Poesía'; 2, 'Teatro'; 3, 'Prosa' (which does not, ...
Pero Nueva York inspira también a Lorca un libro mucho menos descriptivo , Tierra y Luna , al que el poeta se refirió desde los días de Nueva York hasta la última entrevista de su vida , y cuya existencia está atestiguada por el ...
Lorca's famous Gypsy Ballads were composed in the 1920s, when his poetic style was evolving from the traditional towards the surrealist.
Fifty years on it is the writing both poetry and drama whose quality is being recognised and acclaimed, as recent performances of his plays suggest.Lorca's famous Gypsy Ballads were composed in the 1920s, when his poetic style was evolving ...
In an attempt to cover as many aspects of Lorca's theatre and the time in which he lived as possible, the book deals not only with the plays themselves but includes material on the social and political character of the 1920s and 1930s, on ...
Based on a popular Andalusian ballad, it tells the story of Mariana Pineda who was garrotted in 1831 under the reactionary regime of Ferdinand VII for embroidering a Liberal flag and refusing to betray her lover.