Berwanger , Eugene H. “ Western Prejudice and the Extension of Slavery . " Civil War History , Vol . XII , No. ... Kohn , Richard H. “ The Social History of the American Soldier : A Review and Prospectus for Research .
Martin Givney half rose from behind his desk in greeting. He was as barrel-shaped as when I was nine or so and was required to address him as Uncle Martin, but in the intervening years the barrel's capacity had almost doubled.
The death of a boyhood chum sends actor-private eye Saxon back to his hometown of Chicago to find out the truth behind his pal's demise. By the author of Deep Shaker.
... overall command in the West, 12–13 Hamman, George: campaign objectives, 76; claims victory, 170, pride in unit's performance, 133; war zone, 70 Hannum, Sharon, 39 Hardee, William J.: corps' state of readiness, 14; disliked by men, ...
I took a birds - eye view of the Dalles and region around it , when I spied Lee House , the mission of the American P. E. Methodist Church.76 Messrs . Lee and Perkins , who were in charge , were formerly connected with the mission on ...
Based on family history, Pat Hughes's beautifully crafted story is complemented by Ken Stark's exceptional watercolor paintings. Seeing the Elephant is a 2008 Bank Street - Best Children's Book of the Year.
An intellectual history of U.S. national security thinking since the end of the fall of the Soviet Union, Seeing the Elephant is an attempt to see the evolving international security system and America’s role in it through the eyes of ...
Seeing the Elephant: One Man's Return to the Horrors of the Civil War is a true story originally told in 180 letters written by Lieutenant Thomas S. Armstrong of the 122nd Ohio Volunteer Infantry about his experiences in the Civil War.
A poignant story of a remarkable relationship between Frank Stevens, an Australian soldier sent to the Vietnamese Highlands to recruit and train the local hill tribes during the Vietnam War, and his Vietnamese translator, Minh.
In the nineteenth century "seeing the elephant" or "I've seen the elephant" meant "now I've seen everything" or "now I've seen it all.
In 1920, Frank Reaugh led a two-month painting expedition in his art touring bus, The Cicada, to the Grand Canyon, a journey through the Southwest from Dallas, Texas, accompanied by six female artists including three of his students.
An intellectual history of the post Cold War period
Seeing the Elephant
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.