An Annual Survey of Shakespeare Studies and Production Peter Holland. for ' O Mistress Mine ' than does Duffin . By gathering fragmentary evidence into a substantial work of reference Shakespeare's Songbook offers a compendium of ...
46 This is the blurb from Peter Martin, Edmond Malone, Shakespearean Scholar: A LiteraryBiography(Cambridge,1995).Mal- one didn't invent professional literary study single-handedly and ex nihilo. For ways in which Capell anticipated ...
Proudfoot, Richard, 'Can Double Falsehood Be Merely a Forgery by Lewis Theobald? ... The Evans Shakespeare Editions, ed. by Douglas Bruster (Boston, MA, 2012) Shakespeare, William, RichardIII, TheEvans Shakespeare Editions, ed.
In his Principles of Bibliographical Description ( 1949 ) , his On Editing Shakespeare and other Elizabethan Dramatists ( 1955 ) , his Textual and Literary Criticism ( 1959 ) , and his many shorter articles in periodicals , he has shown ...
One straightforward strand leads us to contemplate the dramatic significance of Shakespeare's ghosts in plays like Richard ... Robert N. Watson's Shakespeare and the Hazards of Ambition ( Cambridge , Massachusetts and London : Harvard ...
... Shakespeare and the Materiality of Performance (Basingstoke, 2012) Loxley, James and Mark Robson, Shakespeare, Jonson and the Claims of the Performative (Abingdon, 2013) MacFaul, Tom, Problem Fathers in Shakespeare and Renaissance ...
3 Middleton's The Black Book begins with the stage direction ' Lucifer ascending , as Prologue to his own play ' ; he has ' vaulted ... Above the stage - rails of this earthen globe ' , and now intends to “ turn actor and join companies ...
His body , in the rhymed soliloquy in Act 2 : he will not other words , is as hard as his head , and the ideal become ... What to go ' to the market - place ' , ' mountebank their is aurally striking is that Shakespeare has found loves ...
9 Lynette Hunter and Peter Lichtenfels, Negotiating Shakespeare's Language in Romeo and Juliet (Farnham, 2009), pp. 151–2. 10 Evelyn Gajowski, The Art of Loving: Female Subjectivity and Male Discursive Traditions in Shakespeare's ...
... edited text – with collations and notes, fully formatted in Arden 3 style – on a DVD included with their book, Negotiating Shakespeare's Language in 'Romeo and Juliet': Reading Strategies from Criticism, Editing and the Theatre.
... Rudolf Alexander Schröder ( President of the German Bastard's comments on their ancestors ' prudence . This Shakespeare Society ) which stresses the tragic character was a beautiful and impressive show , with music by of the play .
It would not rediscover the ' essential ' Shakespeare or explain anything in the plays for good and all . In no way would it lead to a museum production , seeking an elusive ' Elizabethan ' accuracy of speech or behaviour .
That is important , for as a qualification it asks of the scholar and student of the play to consider the prince as knowing and feeling neither more nor less at any given moment in time than his experience of the play , so to speak ...
... amusing musical dramas once more' (Singing Simpkin and other Bawdy Jigs: Musical Comedy on the Shakespearean Stage: Scripts, Music and Context (Exeter, 2014), p. x). 'Freetown!': Shakespeare and Social Flourishing ◈ Ewan Fernie 1.
Their titles will indicate the range of essays by ( among others ) Alistair Cooke ( " Shakespeare in America ' ) ; Joel Hurstfield ( “ The Search for the Good Society in Shakespeare's ... Shakespeare : Pattern of Excelling Nature , ed .
Shakespeare's England did not have an eleven - plus examination . On the contrary , the statutes of many grammar schools give evidence that their founders expected a large number of boys upon leaving to become apprentices .
The really enterprising undergraduate now has his own bibliographical guide in Gāmini Salgādo's chapter on these plays in Shakespeare : Select Bibliographical Guides ( edited by Stanley Wells , Oxford ...
Eighteenth - century literary editing , of Shakespeare as well as Milton and other authors , has sometimes been characterized as tending to alter and construe the text in the light of distinctively eighteenth - century , and often ...
... appears to be the case with the first editions of Henry V and The Merry Wives of Windsor ) ; the other , that it ... Assenda ' ( lines 501-2 , sos ) ; this is followed by the direction , ' the spirit riseth vp ' ( lines 506-7 ) .
Shakespeare Survey: Current Approaches to Shakespeare through Language, Text and Theatre