As the old mafia don (Leonard Cimino), his business interests perhaps endangered by the developing blood-feud against Assante by Nolte and O'Neal, rails about how business has changed since the old days and decides on a new ...
Sidney Lumet, director of landmark motion pictures such as The Pawnbroker, Twelve Angry Men, Serpico, and Network, has proven to be one of America's most enduring and diversified film directors....
With the help of exclusive interviews with family, colleagues, and friends, author Maura Spiegel provides a vibrant portrait of the life and work of this extraordinary director whose influence is felt through generations, and takes us ...
Horrigan, Widescreen Dreams, 171–2. 36. Ibid., 172. 37. Taraborelli, Michael Jackson, 179. 38. Ibid. 39. Rapf, ed. Sidney Lumet Interviews, 176. 40. Ross, Secrets of a Sparrow, 197. 41. Itzkoff, Mad as Hell, 212. 42.
Tennessee Williams , Orpheus Descending with Battle of Angels ( New York : New Directions , 1958 ) , 114 , 115. All quotations will be taken from this edition and cited in the text . 19. Writing of this film and of A View from the ...
... monochrome days were behind him. Richard Burton (left) sought to “cure” Peter Burton had eight long monologues in Firth in Equus but secretly envied him his lust for life (Jerry Ohlinger). the film, all of which he spoke to camera. They ...
... On Directing. New York: Fireside, 1997. Comden, Betty. Off Stage. Pompton Plains, NJ: Limelight, 2004. Cooper, Anderson, and Gloria Vanderbilt. The Rainbow Comes and Goes. New York: HarperCollins, 2016. Cronkite, Walter. A Reporter's Life.
A collection of over twenty interviews with the director of Serpico, Dog Day Afternoon, The Verdict, and 12 Angry Men A collection of over twenty interviews with the director of Serpico, Dog Day Afternoon, The Verdict, and 12 Angry Men
Also new to this edition are discussions of five other films, including The Appointment, Murder on the Orient Express, and Running on Empty.
Sidney Lumet: A Guide to References and Resources