On the Group Image, see Stephen A. O. Golden, “'Warmth Day,' Cool Happening with Group Image,” New York Times, May 15, 1967; McNeill, Moving through Here, 86–91. 163. Neumann, Up Against the Wall, 107–8. 164. “Reclaiming Project,” 4.
Ronald Sukenick, The Death of the Novel and Other Stories (New York: Dial, 1969), 94; similar versions are given in “Anti- Hippies Disrupt Concert in Tompkins Sq. Park,” New York Times, June 2, 1967; Don McNeill, Moving through Here ...
In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969.
" He's a living witness when all odds are stack up against you. Only God! have the last word when it comes to running the race of life."
TEAR DOWN THE WALLS is a tribute to African American men and women who have made significant contributions to America and the rest of the world in the fields of science, politics, law, sports, the arts, entertainment and many other fields.