The volume concludes with an Afterword by Michael Neill. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies across the world.
35 Clare Carroll, Circe's Cup: Cultural Tranformations in Early Modern Writing about Ireland (Cork: Cork University Press, 2001), 17-18. 36 Important exceptions to this rule are Christopher Highley, Shakespeare, Spenser, and the Crisis ...
Reflecting upon the longer speech, Weimann argues that: [it] reveals the deep clash, within Hamlet, between two discourses, ... agonistic image of the shattering impact of the “antic disposition” upon high Renaissance ideals.
All quotations from Parra's version are taken from Lear Rey & Mendigo, tr. by Nicanor Parra, 5th ed. (Santiago de Chile: Universidad Diego Portales, 2014), 15–19. 37. Lear Rey & Mendigo, 121. In addition to following the in-text ...
A recent collection, Stylistics and Shakespeare's Language: Transdisciplinary Approaches (2011), showcases Shakespearean stylistics of a more familiar type, with local studies of the deployment of the expressive tools of language.
arecent collection, Stylistics and Shakespeare's Language: Transdisciplinary Approaches (2011), showcases Shakespearean stylistics of a more familiar type, with local studies of the deployment of the expressive tools of language.
arecent collection, Stylistics and Shakespeare's Language: Transdisciplinary Approaches (2011), showcases Shakespearean stylistics of a more familiar type, with local studies of the deployment of the expressive tools of language.
The story of Shakespearean amateur performance opens with a production of Hamlet, staged by mariners on board the ship Red Dragon, on 5 September 1607, off the coast of Sierra Leone. Dobson closes his account with a description of a ...
338–50, and 'Coriolanus' on Stage in England and America, 1609–1994 (Madison, NJ: Fairleigh Dickinson University Press, 1998). 'Coriolanus': Critical Essays, ed. David Wheeler (New York and London: Garland, 1995).
2 (2006): 208. 35. David Schalkwyk, Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge: Cambridge University Press, 2002), 32; cf. 50f., 1 1 If., 214. M. Worthen, Shakespeare and the Authority of Performance, esp.
Currently in its seventeenth year and formerly published by Ashgate, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with ...
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and ...
for this reason that I would like to propose a possible new methodology for approaching the study of Shakespeare ... heroic attempt to archive the present cultural proliferation and fragmentation of Shakespeare in mass culture.7 It is ...
Alexander Huang, "Global Shakespeare 2.0 and the Task of the Performance Archive," Shakespeare Survey 64 (2011): 38-51. ... Petersen, Lene B. Shakespeare's Errant Texts: Textual Form and Linguistic Style in Shakespearean "Bad" Quartos ...
9 A.L. McCleod, R.G. Howarth: Australian Man of Letters (Chicago: New Dawn Press, 2005). 10 R.G. Howarth, Two Elizabethan Writers of Fiction; Thomas Nashe and Thomas Deloney (Cape Town: University of Cape Town Editorial Board, ...
... including most recently Representing France and the French in Early Modern English Drama (University of Delaware Press, 2008). He is currently leading a CNRS-funded research project on the representation of France in early modern ...
20: Special Section, Pericles, Prince of Tyre Tom Bishop, Alexa Alice Joubin, Deanne Williams. 18 2015 . Minton ... A Reconstructed Text of " Pericles , Prince of Tyre . " edited by Roger Warren . Oxford : Oxford University Press , 2003 ...
... Shakespeare might differently matter. The rest ofthis essay concerns itself with Macbeth's place in that different mattering. POSTHUMANIST MOTIFS IN MACBETH It iscurious that Macbeth does not figure very muchin Posthumanist Shakespeares ...
... Shakespeare “invented” and is thus prior to the human (hence his universal appeal as a starting-place in a modern “human” world). others, such as Stefan herbrechter and Ivan callus in Posthumanist Shakespeares, argue that Shakespeare ...
... Global Shakespeare,” in The Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), 31. The field of global Shakespeare names a robust critical ...