Two died and one of them was Blane. Not touched by a machinegun, he unluckily was chosen as target by three separate riflemen, none of whom knew about the others or that he was an officer, and all of whom connected.
When Big Un recalled it with such surprise to them all, Bell found it didn't really matter so much any more. ... Therefore, when the middle platoon of B did come rolling and tumbling and cursing and sobbing back over the ledge with ...
"Over centuries, war and military service have shaped the way the world sees Scotland and the way the Scots see themselves. Inspired by the collections of the National Museums of...
Opening with a helpful introduction that places the film in context, five essays, four of which were specially commissioned for this collection, go on to examine the following: the exploration of Heideggerian themes – such as being ...
It is most famous for the charge of the Light Brigade, celebrated in poetry and film as a classic British military disaster. It also gave us 'The Thin Red Line', when a handful of British infantry saw off a horde of Russian cavalry.
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From the moment of landing on Guadalcanal through the exhausting battle for a complex of hills to the departure of the survivors, Jones tells the history of C-for-Charlie American rifle company, sent to the South West Pacific in 1942.
They are the men of C-for-Charlie company—“Mad” 1st Sgt. Eddie Welsh, Pvt. 1st Class Don Doll, Pvt. John Bell, Capt. James Stein, Cpl. Fife, and dozens more just like them—infantrymen...
Michel Chion. The sunlight catches soldiers from behind Seen from Everywhere The Thin Red Line is a war film, an action film, in which we see the vastness of nature, explosions bursting from all sides, houses burning and extras appearing ...
Soon to be a major motion picture, this classic war novel by the author of "From Here to Eternity" tells the story of the men of C-for-Charlie company before, during, and after the Allied effort at Guadalcanal.
Opening with a helpful introduction that places the film in context, five essays, four of which were specially commissioned for this collection, go on to examine the following: the exploration of Heideggerian themes – such as being ...
... the word chose ['thing'] in French. And of course, 'let me' is untranslatable into French – or any other language (the French laissemoi is too passive, fais-moi ['make me ... of the interior monologue is reminiscent of THE THIN RED LINE 53.