Vital Forms
-
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
By Brooke Kamin Rapaport, Kevin Stayton, Brooklyn Museum of ArtExamines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
-
Vital Forms: Biological Art, Architecture, and the Dependencies of Life
By Jennifer JohungSee Mark Bedau, Norman Packard, and Steen Rasmussen, Protocells: Bridging Nonliving and Living Matter (Cambridge, Mass.: MIT Press, 2008). 3. Rachel Armstrong and Neil Spiller, “It's a Brand New Morning,” Protocell Architecture 81, no.
-
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
By Brooke Kamin Rapaport, Kevin StaytonFrom the Studebaker and the Slinky "RM" to the TWA terminal and paintings by Willem de Kooning and Mark Rothko, 1940 to 1960 was a compelling era for the arts...
-
Vital Forms: Biological Art, Architecture, and the Dependencies of Life
By Jennifer JohungDistinguished by its broad range and Johung's synthesizing talents, Vital Forms makes powerful observations about how the unfolding dependencies between all kinds of matter are becoming vital to life in our age of biotechnological ...
-
Vital Forms: Biological Art, Architecture, and the Dependencies of Life
By Jennifer JohungDistinguished by its broad range and Johung's synthesizing talents, Vital Forms makes powerful observations about how the unfolding dependencies between all kinds of matter are becoming vital to life in our age of biotechnological ...