The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize her pioneering work amidst today's renewed interest in experiential practices"--
Made of shiny stainless steel and featuring painted dots or dot-shaped perforations that recall The Obliteration Room, these immersive works seem created on human scale, with the tallest measuring 70 inches (178 cm).
In this book, Midori Yamamura eschews the usual critical fascination with Kusama's biography to consider the artist in her social and cultural milieu.
It is the vitality of an artist who lives to work, whose work keeps her alive.” Yayoi Kusama: Festival of Life documents the artist’s exhibition at David Zwirner’s Chelsea location in New York in late 2017, featuring a selection of ...
Almost a half-century after Yayoi Kusama debuted her landmark installation 'Infinity Mirror Room - Phalli's Field' (1965) in New York, the work remains challenging and unclassifiable.
With a new focus on Yayoi Kusama’s use of language, this book features an impressive overview of her poetry, which the artist creates alongside her work in other mediums.
Written by Sarah Suzuki, a curator at The Museum of Modern Art, and featuring reproductions of Kusama's instantly recognizable artworks, this colorful book tells the story of an artist whose work will not be complete until her dots cover ...